The Clark Art Institute’s next exhibit features Helen Frankenthaler’s inventive approach to the woodcut and pioneering abstract art on nature. Director Olivier Meslay – in his first summer at the ...
Enter through the parking garage to skip the queue, says Met CEO Max Hollein.
The nephew of the late Helen Frankenthaler, Frederick Iseman, is suing the artist’s foundation and its directors—who include his cousin Clifford Ross and Frankenthaler’s stepdaughter, Lise ...
The beauty of Provincetown, Massachusetts, on Cape Cod, inspired many works by one of the most renowned American artists of the 20th century: Helen Frankenthaler. But though you may notice shimmering ...
A new lawsuit claims that board members of the Helen Frankenthaler Foundation -- dedicated to the work of the latest abstract expressionist -- is using the non-profit to promote self-interests. Getty ...
WILLIAMSTOWN — You could call Helen Frankenthaler’s paintings no-man’s land — and not, thank you, because they were painted by a woman. It can be hard to identify, in her work, figure versus ground, ...
Helen Frankenthaler, “Madame Butterfly” (2000), 102-color woodcut from 46 woodblocks on three sheets of handmade paper, 41 3/4 x 79 1/2 inches, Helen Frankenthaler Foundation (© 2017 Helen ...
The nephew of one of America’s greatest female artists is being accused by a member of his own family of turning her foundation into a $10 million “pay-to-display” scheme to get his own “middlebrow” ...
Nemerov knows a bit about pedigree. He is a professor, an author, a son of the poet Howard Nemerov and a nephew to photographer Diane Arbus. He nods to Frankenthaler’s privilege on Page 1: “A child of ...
The J. Paul Getty Trust and the Helen Frankenthaler Foundation are the latest nonprofits to offer aid to artists and arts organizations hit hard by the COVID-19 pandemic in the United States. Through ...
Frankenthaler’s “Jacob’s Ladder,” showcasing her signature style, reminds us that she gave birth to a whole school of painting. This painting is abstract, meaning, I suppose, that anything I say about ...
Powerful, no? And gorgeous. Helen Frankenthaler did it in 1973 — 20 years after making a painting that took Jackson Pollock's abstract expressionism a step further. In 1950 she was wowed by the ropes ...